Oil On Canvas, Real Flavor of Old Masters

All Alexandre Gabriel Decamps 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
74278  
Bertrand et Raton, Alexandre Gabriel Decamps
  		 Bertrand et Raton   Alexandre Gabriel Decamps' oil painting "Bertrand et Raton", from the fable of Jean de la Fontaine, 1847 cjr
75688  
Bertrand et Raton, Alexandre Gabriel Decamps
  		 Bertrand et Raton   English: Alexandre Gabriel Decamps' oil painting "Bertrand et Raton", from the fable of Jean de la Fontaine, 1847 Date 1847 cyf
10908  
Christ at the Praetorium, Alexandre Gabriel Decamps
  		 Christ at the Praetorium   4' 8 3/4" x 3' 5 1/4" ( 144 x 104.5 cm ). Bequest of Alfred Chauchard, 1909.
77272  
Scherenschleifer, Alexandre Gabriel Decamps
  		 Scherenschleifer   ca. 1840(1840) Medium Oil on canvas Dimensions 38 ?? 51 cm cyf
44217  
The Defeat of the Cimbri, Alexandre Gabriel Decamps
  		 The Defeat of the Cimbri   1833 Oil on canvas, 130 x 195 cm
20904  
The Defeat of the Cymbrians (mk05), Alexandre Gabriel Decamps
  		 The Defeat of the Cymbrians (mk05)   1833 Canva 51 1/4 x 77''(130 x 195 cm)Bequeathed in 1903 RF 1940 (S/AR)
44218  
The Monkey Painter, Alexandre Gabriel Decamps
  		 The Monkey Painter   1833 Oil on canvas, 32 x 40 cm
43970  
The Turkish Patrol, Alexandre Gabriel Decamps
  		 The Turkish Patrol   1831 Oil on canvas, 115 x 179 cm
40026  
Tukish Merchant Smoking in his Shop, Alexandre Gabriel Decamps
  		 Tukish Merchant Smoking in his Shop   mk155 1844 Oil on canvas 36x28cm
11289  
Turkish Merchant smoring in His shop, Alexandre Gabriel Decamps
  		 Turkish Merchant smoring in His shop   1844 1' 2 1/4'' x 11'' (36 x 28 cm)Bequest of Alfred Chauchard,1909
Alexandre Gabriel Decamps
French Romantic Painter, 1803-1860. Studied under Abel de Pujol. Specializes in Orientalism. Studied under Abel de Pujol. Specializes in Orientalism. French genre and historical painter, engraver, and lithographer. First known for his caricatures and illustrations, he turned to painting in thick impasto and strong color. One of his richest sources was the Middle East, which he depicted in vivid detail.



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